![]() In our case we took the path to manipulate the acceleration values in X, Y and Z axis, so with that in mind we tried to develop an sound output that was loud and annoying like when a hornet pass by flying and also generate a swarm and chaotic visual output of this same concept. but after several trials it was better to take another direction so we decided to take the acceleration data from a mobile device and do something with that. Something like take the change in the decibels every time you speak into a mic. Thinking about an external input we came up with the idea to use our voices as an input. Eduardo Oliviera: Visual output implementation and music development (Max/Msp/Jitter video patch) Fiona Mortimer: Visual output implementation and music development (Max/Msp/Jitter video patch) Emilio Aguas: Input development (Processing or TouchOSC), Sound output implementation (Max/Msp sound patch) Photogrammetry Workflow for Media Practitioners.Unplugged - exploring the artistic potentials with Energy Harvesting. ![]() Like a glitch in the mindframe -AV concert.AI on the Edge - Building a Machine Learning Cluster.Beziehungsmuster: Umwelten der Kryptogamen Flora.Art in the times of surveillance capitalism.Maps, Territories and Possibility Spaces.Great performances come from artists with great control over their tools. Finding the right way to interact with your music is as important as the music itself – it’s an element of DJ style that can be as personal as you make it. If you can’t seem to find that perfect controller, or even if you just want to complement your existing setup with an unusual piece of kit, you might want to try making your own with TouchOSC.ĭevices with physical controls are always limited by their layout. If you want to really make something of your own, TouchOSC is a great way to go about it. Created by Rob Fischer of, TouchOSC is an app for iOS devices of any shape or size, and recently, Android*. It allows you to design a custom layout of control elements – buttons, faders, rotaries, even XY pads. You can then specify what MIDI notes each element sends out to your software. It uses the CoreMidi and UDP protocols to send and receive MIDI and Open Sound Control (OSC) messages over wired or wireless connections. *It seems that creating custom layouts is currently only supported for iOS devices MAIN USES FOR TOUCHOSC You can configure your computer to connect wirelessly to your iPhone, iPad, iPod touch, or Android device and use them as control surfaces for any application that accepts MIDI input. ![]() TouchOSC supports a wide variety of control types, allowing for a lot of flexibility in the design and features of your custom controller. Shown above are the six basic layout elements: push button, toggle button, XY pad, fader, rotary, and encoder. There are also grouped versions of these, like the “multi-push” that lets you specify a grid of push buttons so you don’t have to align them all yourself. I use them to create all my hotcue grids. With these basic elements you can put together almost any interface you could need. You could use a couple of XY pads to get some really intuitive control over FX. You could make a massive clip launcher with an array of toggle buttons. IOS or Android device w/ TouchOSC app (in iTunes app store or Google Play).Ready to try some of this stuff out? Read on for an introductory tutorial going over: You could make a fully fleshed out mixer with as many knobs and faders as you want.
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